What will it mean to re-enter the institution of marriage?
Last night, I dreamt I went to a wedding again. Mine. It seemed to me I stood by the altar, beneath an arch, my feet on petals, and afterward I could not move, for the reception was barred, and plated. There was a ball and chain upon my ankle.
Well, of course it wasn’t a ball and chain. Wives aren’t really like that. I should know: I’ve had three of them. And the dream I just described isn’t a dream. It’ll soon be a memory.
On October 31 — yes, Halloween — I am slamming the book on another bachelorhood…
Who would believe it anyway?
God save our gracious Queen,
Long live our noble Queen,
God save the Queen;
Send her victorious,
Happy and glorious,
Long to reign over us . . .
And please, God, please, make her look good on Netflix.
Since 2016, the streaming service has been home to The Crown, a series about the life and reign of Britain’s Queen Elizabeth II. Over 73 million households have watched the series; mine is one of them. Season 4 just dropped, and it looks like it will be even better than the first three. …
Even if it’s whiny, hammy, and full of lies
Ever seen the movie The Love God? Set in swinging 1969, Don Knotts — yes, Barney Fife! — plays Abner Peacock, publisher of a soon-to-be-insolvent birdwatching magazine.
Desperate for funding, Abner is tricked into partnering with smut peddler Osborn Tremain, who turns The Peacock into a, uh, gentlemen’s magazine. This lands Abner on trial for trafficking pornography by mail. His attorney is Darrel Evans Hughes, a Clarence Darrow knock-off. Hughes wins the case for Abner with a florid, unctuous speech:
“This is a dirty case, and a dirty little man. It is with disgust to the point of nausea that…
It’s the kind — and strategic — thing to do.
Assuming Joe Biden becomes the next president, and assuming a lame-duck Donald Trump does not pardon himself — a dubious move — or resign and let Mike Pence pardon him — a weaselly move — Biden should do the deed himself.
Biden should pardon Trump.
He said before that he wouldn’t. Back in May, during a virtual town hall, Biden was asked whether he would be willing to commit “to not pulling a President Ford” — i.e., …
A new report fills the information gap
We’ve read the stories. Heard the stats. Seen the woe.
- The food service industry losing over $120 billion
- Car sales declining 20 percent
- 100,000 businesses permanently closed
- Movie theaters down $3 billion in market value
- 65 million unemployment claims since March 2020
It has wrecked us to our bones, this pandemic. Some say we’ll never recover. Others say the best is yet to come. No matter which outlook is right, one thing we know for sure: every cranny of American life is being affected.
One industry we hadn’t heard much about is libraries — until now. Last month, Innovative, an…
On structure, style, and writing with a purpose
I recently read an essay about how watching stand-up comics can improve one’s writing.
The author emphasizes style and wordplay — puns, non-sequiturs, double entendre — as the tools most transferable from comedy to prose. These are good points.
But what about joke writing? There is a process to this as well, and it’s more complex than you’d imagine. Joke writing hones many of the skills in demand by novelists and nonfictionists.
In other words, if you want to be a good writer, try being a good comic.
January 28, 2015. A hundred pairs of eyes were on me as…
Looking back at the book that started a phenomenon
Which is more dangerous: a gun or a swimming pool?
Do real-estate agents have their clients’ best interests at heart?
Is sumo wrestling rigged?
If drug dealers make lots of money, why do they still live with their mothers?
These don’t seem like the kinds of questions an economist would try to answer. Yet they are exactly the questions that interested University of Chicago economics professor Steven D. Levitt in 2003 when he sat for a legendary interview with New York Times Magazine writer Stephen J. Dubner.
Levitt was famous in economics circles for his gadfly approach. In Dubner, he…
The science fiction icon discusses creativity, fandom, and one of his hobby horses: the business of writing
If there are still Renaissance men around, John Scalzi has to be one.
Best known as the New York Times bestselling author of Old Man’s War and its sequels, he has won three Hugo Awards, the highest honor in science fiction. Before that, he was a journalist, writing on a number of topics including finance, video games, films, astronomy, and writing. His blog Whatever, which he’s written since 1998, gets up to 50,000 visitors daily. He is currently executive producer for Old Man’s War and The Collapsing Empire, both in development for film/TV.
I got a chance to talk to…
Does it hold up as well as the movie?
It is a staple of book/movie discussions that the book is better. Google the phrase “book was better,” and you’ll get over 2 billion results. Etsy, ThinkGeek, and Amazon sell many versions of The Book Was Better T-shirts. And don’t get me started on the memes.
One reason books and movies are so different is they have different purposes. John Green, bestselling author of The Fault in Our Stars, explains that a movie has to reach a larger audience and overcome higher costs to be financially viable. …
Express Yourself
We have more in common than you’d think
The way my father tells the story, I am four years old, and we are on our way to the beach, my arm in a cast. I had broken it falling off a swing set.
My parents have talked up the trip all week, and I am dying from excitement. We ride forever until my father stops the old Buick. He wants to show my mother a ritzy golf course where he played once. He parks beside a pond, pointing to it out the window. Then we’re off. As we drive away, I start to cry.
When he tells this…
Anthony Aycock
Writer. Editor (www.conventionscene.com). Librarian. Lover of books, cats, and comic cons. Hater of vegetables. Tweet: @anthonycaycock
